Crouching Tiger, Hidden Dragon is a movie that is a stunning, optic masterpiece. The story opens as the legendary swordsman Li Mu Bai (Chow Yun-Fat) travels to image Yu Shu Lien (Michelle Yeoh). Hes decided to give up his days as a warrior and he gives his sword, the Green Destiny, to Shu Lien. The legendary sword is finally stolen by a masked figure, and Li Mu Bai & Shu Liens resist romance becomes even more conflicted when they discover the secret of a young princess named Jen (Zhang Ziyi) and her lover Lo (Chang Chen). One premise the film is draw upon concerns customs duty through which director Ang downwind uses film techniques to benefaction this effect. usage is expressed through the ways Jen is oppressed by its confines, the relations between Jen and Lo that are repressed, and how Li Mu Bai is empowered by its guidance. Tradition cleaves Jen from her conflict talents. Jens parents force her to marry, but carry no parental role. Lee restricts their presence in the film, and so isolates the tradition they carry. Further, Lee contrasts Jens demeanor as a battler with her parcel out at her parents home.
The homes dumb rooms, plain walls, and the servants clothing are symbols of Jens cut back future, for Jen is no fighter at home as she writes chirography and drinks tea. Lee captures much(prenominal) contrast to suggest that tradition oppresses Jen because it confines her. only if Jen breaks these confines. In place of her family, she adopts Jade Fox as her buzz off and Shu Lin as her sister and in place of her home, she escapes to the desert with Lo. In the colo ssal red and orange desert, where there are ! no confines, Jen fights. Her flying-style suggests Jen is defying the solemness of tradition. In... If you want to get a full essay, pasture it on our website: OrderCustomPaper.com
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